Some sad news for thousands of photographers last week, Polaroid plans to discontinue the manufacturing of film at the end of this year. Polaroid was the forerunner of immediate gratification in seeing your images moments after capture (of which of course digital cameras can now do in milliseconds), but Polaroid in their wide range of films could offer film qualities that digital just can't rival.
I use Polaroid 669 film extensively in my fine art work, creating Polaroid Image Transfers and Emulsion Lifts that are often described as vintage, dream-like and painterly. There is particular joy in these processes for me due to the randomness of the final result, it's impossible to duplicate the nuances in the final result of each print. Each is truly an original.
Sure, you can approximate the look of these processes in Photoshop - but it really isn't at all the same. I feel part of the creative process as I "cook" my Polaroids, anxiously waiting to see the final result as I peel the film back slowly. It's the same feeling I get when I pick up my infrared film negatives from the lab (Kodak will have me on their front doorstep should they ever discontinue their HIE film). More than enough images don't turn out due to the variability in the results, but those that do give me particular delight.
I'm not knocking digital, I use digital cameras almost exclusively in my portrait work. I can review my images immediately after capture, and can experiment more given that I'm not keeping a running tally of film costs in my head as I shoot.
I just can't see myself digitally creating Polaroid-type image transfers in Photoshop, it just doesn't feel right to me. What a sad thing to be losing so many great films over the last few years.